In
her foreword to the book Gaye Blake Roberts, Director of the Wedgwood Museum Trust
writes: This book explores the unique development of the ceramic
collection which still exists at Rode Hall, for which the successive generations
have acquired, enhanced and maintained the range of ceramics for both decoration
and use. Patronage of the ceramic industry, in its many forms, is not only clearly
demonstrated in the surviving collections within the house but well delineated
in this excellent descriptive study of these collections. This book places the
ceramics in period context, with interesting snippetts of family history, details
of the building and enlargement of their houses, especially the property which
eventually formed Rode Hall, the gardens and surrounding landscape, as well as
contemporary details not only of life in Britain but the ceramic industry worldwide,
bringing the collections alive to the reader... Superbly researched
this is more than a ceramic history, it is a refreshingly honest social history
of the Wilbraham family and their collecting habits through nearly three and a
half centuries. This fascinating account of one family's life within the elite
of the eighteenth century in particular, provides a perfect background and explains
admirably why certain ceramics were bought and how the social standing of a family
could be so clearly reflected in their material possessions... It
is appropriate that amongst all the detailed information the earliest documented
order for Rode Hall was from Wedgwood's manufactory in 1769 - an association which
was maintained through several generations through to the present day. It is therefore
a great privilege to write the foreword to this fascinating account and delightful
narrative of the lives, tastes and collecting habits of the owners and chatelaines
of Rode Hall. To
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